Toned rather than straight black and white, because the warm cast keeps the snow from going clinical. The interest is in the layering: each ridge a shade lighter than the one in front, until the far peaks are barely darker than the sky. The plume streaming off the highest summit says how hard it was blowing up there. The bright slope in the corner is the nearest ground.

The Massif, in Sepia
January 2020
1D X Mark II, 90 millimetres, f 32, 1/250 of a second, ISO 640